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Kanafani: The Artist Who Turned Revolutionary — Anchorage Daily Times One headline in ten called him a writerOne headline in ten called him a writer · 1972 to 2014
Kanafani: The Artist Who Turned Revolutionary — Anchorage Daily Times
Anchorage Daily Times · Anchorage, Alaska · 11 July 1972 · “Kanafani: The Artist Who Turned Revolutionary”

1972 to 2014

One headline in ten called him a writer

On 8 July 1972 a bomb wired to the ignition of a car in Beirut killed Ghassan Kanafani and his niece Lamees, who was seventeen. He had published the novel that made his name four years earlier. Ten papers in this archive carried the killing.

  • Explosion kills leader of Arab terrorist group The Star-Ledger
  • Arab Militant Leader Dies In Car Explosion Jacksonville Journal
  • Palestinian Guerrilla Is Slain Greensboro Daily News
  • Israel Accused in Assassination Blast The Flint Journal
  • Kanafani: The Artist Who Turned Revolutionary Anchorage Daily Times

One out of ten. The exception ran in Alaska, and it is the only one of the ten that treats the writing as the reason to run the story at all.

Forty-two years later the Free Lance-Star sent a reporter to artists working in the rubble of Gaza. The slug set above the headline read CONFLICT. Four paragraphs down, the screenwriter Naim al-Khatib explained why he had given up trying to write about anything else.

It is like, as a Palestinian, you don’t have the right to have your own dream, that everything in your life has to have something to do with war and [Israeli] occupation.

Naim al-Khatib, screenwriter · The Free Lance-Star, 19 September 2014

The paper printed his complaint above his head, as a category. Between 1972 and 2014 the same sentence keeps arriving, from people who do not know each other.

1981

Sahar Khalifeh, novelist

At the Iowa writing program, with books banned at home: I am here without a machine gun, but with a pen.

CP-1981-004
1994

Fayez Sirsawi, painter, Gaza

A painting without a reference to Jerusalem, a painting without a Palestinian flag, without any symbol of the cause, would be rejected as not Palestinian art. One Associated Press dispatch, four papers, four headlines. This one called it political correctness.

CP-1994-008
2004

Fayez al-Hasni, who paints the dead for their families

It saddens me that they don’t want the painting to reflect the people they were. But I’m obligated to fulfill their wishes. At least ten of the dead were his own students.

CP-2004-003

In 2000 the Israeli education ministry put five Mahmoud Darwish poems on the syllabus and the government nearly fell over it. Four papers in this archive carried the row, from three different news agencies. Darwish, asked what the objection was: Israelis do not recognize Palestinians as cultural producers. They accept us as obstacles, as part of the landscape but nothing beyond that.

He died after heart surgery in Houston in August 2008. Seven papers here printed it. Five of the seven headlines call him a poet; the other two give his name and his dates. Not one reaches for the word it had used on Kanafani.

This is one section of Covering Palestine, an archive of 1262 newspaper clippings about Palestinians printed in 512 papers between 1799 and 2023. Researched and assembled by Maria Robles. Nothing here was printed after 6 October 2023.

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